09:00
10:00
11:00
12:00
13:00
14:00
15:00
16:00
17:00
18:00
19:00
20:00
21:00
22:00
23:00
Amphithéâtre 700
A1- Trans/literary Dramaturgy: Crossing Genres in Plays by American Women
A2- Transatlantic Imitations
A4- Gertrude Stein: Expatriate Woman Writer in Paris
A5- Gloria Anzaldúa: Translation and Linguistic Border Crossings
A6- Border Crossings in Asian-American Literature I
A7- Border Crossings and Traveling I
A8- Crossing Borders between the Arts II
A2- Transatlantic Imitations
A4- Gertrude Stein: Expatriate Woman Writer in Paris
A5- Gloria Anzaldúa: Translation and Linguistic Border Crossings
A6- Border Crossings in Asian-American Literature I
A7- Border Crossings and Traveling I
A8- Crossing Borders between the Arts II
B1- Traveling American Women Writers: Transgressing Gender and Geography in the Mid-Nineteenth Century to the Present
B2- "Western Women and Print Culture"
B3- Transgender Studies and Literary Borders
B4- Border Crossings in Edith Wharton’s Writings
B5- Crossing Borders in Children’s Literature
B6- Others and Otherness in the Works of Contemporary American Women Writers
B7- Border Crossings in Asian-American Literature II
B8- "Borders, Identities, and Bodies"
B9- Transformation, Border-crossing and Geopolitics in Contemporary American Women’s Writing
B10- Border Crossings in 19th- and 20th-Century African-American Literature I
B2- "Western Women and Print Culture"
B3- Transgender Studies and Literary Borders
B4- Border Crossings in Edith Wharton’s Writings
B5- Crossing Borders in Children’s Literature
B6- Others and Otherness in the Works of Contemporary American Women Writers
B7- Border Crossings in Asian-American Literature II
B8- "Borders, Identities, and Bodies"
B9- Transformation, Border-crossing and Geopolitics in Contemporary American Women’s Writing
B10- Border Crossings in 19th- and 20th-Century African-American Literature I
C1- Crossing Ontological Borders: Representations of ‘Madness’ in Plays by American Women
C2- "Western Women and Vanished Legacies, Vanishing Indians"
C3- Edith Wharton and Mobility
C4- Border Crossings in Catharine Maria Sedgwick’s Writings
C5- Transatlantic Identities: 19th-Century Women’s Life Writing
C6- Subjectivity and the Black Female Body
C7- Border Crossings in Asian-American Literature III
C8- Trauma in Women’s Writings
C9- Border Crossings and Traveling II
C10- 19th-Century Women Crossing Borders between Literature, Culture, and Sociology
C2- "Western Women and Vanished Legacies, Vanishing Indians"
C3- Edith Wharton and Mobility
C4- Border Crossings in Catharine Maria Sedgwick’s Writings
C5- Transatlantic Identities: 19th-Century Women’s Life Writing
C6- Subjectivity and the Black Female Body
C7- Border Crossings in Asian-American Literature III
C8- Trauma in Women’s Writings
C9- Border Crossings and Traveling II
C10- 19th-Century Women Crossing Borders between Literature, Culture, and Sociology
D1- Western Women Crossing Borders
D2- Boundary Crossings: Edith Wharton’s Intersections with the Popular
D3- Crossing Borders between the Arts II
D4- Writing the Body, Illness, and Trauma
D5- Border Crossings in Willa Cather’s Writings
D6- Border Crossings in Elizabeth Bishop’s Writings
D7- Border Crossings in Chicana Writing
D8- Border Crossings in 19th- and 20th-Century African-American Literature II
D9- Border Crossings, Diaspora, and Exile
D10- Exploring and Breaking New Grounds for Women’s Empowerment
D2- Boundary Crossings: Edith Wharton’s Intersections with the Popular
D3- Crossing Borders between the Arts II
D4- Writing the Body, Illness, and Trauma
D5- Border Crossings in Willa Cather’s Writings
D6- Border Crossings in Elizabeth Bishop’s Writings
D7- Border Crossings in Chicana Writing
D8- Border Crossings in 19th- and 20th-Century African-American Literature II
D9- Border Crossings, Diaspora, and Exile
D10- Exploring and Breaking New Grounds for Women’s Empowerment
E1- Margaret Fuller Across Borders
E2- Traveling Modernism: American Women’s Transatlantic Crossings
E3- Lighting Out for the Territories: Taking Our Writing Out of the Academy
E4- Beyond Borders: Susan Glaspell and her Sisters from the Provincetown Players
E5- Border Crossings in Jhumpa Lahiri’s Writings
E6- Reading, Teaching, Editing, and Publishing American Women Writers in an International and Global Context
E7- Border Crossings and the Experience of Immigration
E8- 20th- and 21st-Century Women Crossing Borders between Literature, Politics, Social and Welfare Issues
E9- Pursuing Graduate Studies: Research and Job Strategies Across Borders / A roundtable featuring Kaylee Jangula Mootz (University of Connecticut, USA), Wendy Tronrud (CUNY Graduate Center, USA), Molly Fuller (Kent State University, USA) & Lekha Roy (Indian Institute of Technology Ropar, India)
E2- Traveling Modernism: American Women’s Transatlantic Crossings
E3- Lighting Out for the Territories: Taking Our Writing Out of the Academy
E4- Beyond Borders: Susan Glaspell and her Sisters from the Provincetown Players
E5- Border Crossings in Jhumpa Lahiri’s Writings
E6- Reading, Teaching, Editing, and Publishing American Women Writers in an International and Global Context
E7- Border Crossings and the Experience of Immigration
E8- 20th- and 21st-Century Women Crossing Borders between Literature, Politics, Social and Welfare Issues
E9- Pursuing Graduate Studies: Research and Job Strategies Across Borders / A roundtable featuring Kaylee Jangula Mootz (University of Connecticut, USA), Wendy Tronrud (CUNY Graduate Center, USA), Molly Fuller (Kent State University, USA) & Lekha Roy (Indian Institute of Technology Ropar, India)
F1- Emily Dickinson and Performance
F2- Border Crossings in the Work of Lydia Maria Child
F3- Transatlantic Women I: Nineteenth-Century Reform, Border Crossings, and Cultural Borrowing
F4- Feeling Transnational
F5- American Jewish Women Writers
F6- Border Crossings in Nella Larsen's Writings
F7- Border Crossings in Caribbean-American Literature I
F8- Border Crossings and Religious Experience
F9- Border Crossings and the Experience of War and Violence in Europe
F10- Border Crossings, Language, and Translation
F2- Border Crossings in the Work of Lydia Maria Child
F3- Transatlantic Women I: Nineteenth-Century Reform, Border Crossings, and Cultural Borrowing
F4- Feeling Transnational
F5- American Jewish Women Writers
F6- Border Crossings in Nella Larsen's Writings
F7- Border Crossings in Caribbean-American Literature I
F8- Border Crossings and Religious Experience
F9- Border Crossings and the Experience of War and Violence in Europe
F10- Border Crossings, Language, and Translation
G1- Dickinson in Motion: Multiplicity, Fluidity and Spaces of Possibility
G2- Border Crossings in/around Harriet Beecher Stowe's Writings
G3- Transatlantic Women II: Transnational Literary Sisterhood-Liminality, Translation, and Self-Conscious Appropriation
G4- Literature, Drama, and Transnational Identities
G5- Border Crossings in Jewish-American Literature
G6- Border Crossings in Ruth Ozeki’s Writings
G7- Border Crossings in 20th- and 21st-Century African-American Literature I
G8- Border Crossings in Caribbean-American Literature II
G9- “Translational Fiction and the Fictions of Translation in the Work of Women Writers of the Americas”
G10- Transnational/Transcontinental Feminist Border Crossings
G2- Border Crossings in/around Harriet Beecher Stowe's Writings
G3- Transatlantic Women II: Transnational Literary Sisterhood-Liminality, Translation, and Self-Conscious Appropriation
G4- Literature, Drama, and Transnational Identities
G5- Border Crossings in Jewish-American Literature
G6- Border Crossings in Ruth Ozeki’s Writings
G7- Border Crossings in 20th- and 21st-Century African-American Literature I
G8- Border Crossings in Caribbean-American Literature II
G9- “Translational Fiction and the Fictions of Translation in the Work of Women Writers of the Americas”
G10- Transnational/Transcontinental Feminist Border Crossings
https://ssaww2017.sciencesconf.org/data/program/Abstract_Etter.docx.pdf
H1- Stowe and her Contemporaries: Transatlantic Reading, Reception, and Travel
H2- Islands and Archipelagos
H3- Katherine Anne Porter’s Familiar Countries
H4- The Story-Cycle Novel: “A Necessary Fiction?”
H5- Border Crossings and the Experience of War and Violence in America
H6- Border Crossings in 20th- and 21st-Century African-American Literature II
H7- 19th-Century Women Writers Crossing Borders
H8- Ecocritical Interpretations of Women Writing about Nature and the Environment
H9- SEMINAIRE HORIZON
H10- Border Crossings in Indigenous and Native American Art and Literature
H2- Islands and Archipelagos
H3- Katherine Anne Porter’s Familiar Countries
H4- The Story-Cycle Novel: “A Necessary Fiction?”
H5- Border Crossings and the Experience of War and Violence in America
H6- Border Crossings in 20th- and 21st-Century African-American Literature II
H7- 19th-Century Women Writers Crossing Borders
H8- Ecocritical Interpretations of Women Writing about Nature and the Environment
H9- SEMINAIRE HORIZON
H10- Border Crossings in Indigenous and Native American Art and Literature
I1- Crossing Borders: Shifting Selves, Emerging Pathways
I2- Textual Transformations: Women Writers Recycle the Past
I3- Raced Nationality in Nineteenth-Century Transatlantic Women’s Literature
I4- American Playwrights Crossing Borders
I5- 19th-Century Women Crossing Borders between Literature, Science, Politics and Welfare Issues
I6- Translation, Transgression, Disruption, and Migration
I7- American Poets Crossing Borders
I8- Representing and Performing Otherness
I9- Gender Studies across Borders : This session will begin with a brief presentation of what the Universities of Bordeaux Montaigne and Aix-Marseille respectively offer their students by way of seminars addressing Gender; of the local history of Gender and Women’s Studies; and a testimony of what evolution may have taken place, what original initiatives have sprung, and what projects have been conceived for the future. This comparative presentation will be followed by a round-table, when the audience will contribute their separate testimonies and suggestions.
I2- Textual Transformations: Women Writers Recycle the Past
I3- Raced Nationality in Nineteenth-Century Transatlantic Women’s Literature
I4- American Playwrights Crossing Borders
I5- 19th-Century Women Crossing Borders between Literature, Science, Politics and Welfare Issues
I6- Translation, Transgression, Disruption, and Migration
I7- American Poets Crossing Borders
I8- Representing and Performing Otherness
I9- Gender Studies across Borders : This session will begin with a brief presentation of what the Universities of Bordeaux Montaigne and Aix-Marseille respectively offer their students by way of seminars addressing Gender; of the local history of Gender and Women’s Studies; and a testimony of what evolution may have taken place, what original initiatives have sprung, and what projects have been conceived for the future. This comparative presentation will be followed by a round-table, when the audience will contribute their separate testimonies and suggestions.
